Elizabeth Bailey grew up in Africa, where she loved reading and drama. Back in England, she
developed her career in acting, theatre directing and finally writing. Elizabeth is multi-published with Harlequin Mills & Boon; Berkley Books for the Lady Fan Mystery Series; and she is delighted to be able to publish work independently. She has just joined with four Regency authors in a box set, "Regency Quintet", and another five in an anthology, "The Chocolate House". She is currently writing the third Lady Fan novel, and will shortly be publishing a twentieth century romantic suspense novella.
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THINKING IS
WRITING TOO
Writing is
not always about sitting at the keyboard and bashing out words. You have to let
ideas pop up. When they do, they need to germinate before they will start
frothing enough for you to churn out a story.
A writer
called Burton Rascoe once said, “What no wife of a writer can ever understand
is that a writer is working when he’s staring out of the window.” How true!
Beginning
writers generally operate on the basis that “work” is done when they’re
actually sitting down and doing it. With writing, this is asking for a miracle
and a horribly blank mind. No writer begins a story without having some idea of
what it’s about.
Stories on
the go have a tendency to jump around in the writer’s head when they are in the
bath, in the car, on a walk, even while watching TV or a movie. Also,
annoyingly, in bed when you're trying to sleep - it can start leaping about and
going places. If this happens, let it run - it's all good stuff.
This is what
thinking time is, and it’s all part of the writing process. It’s thinking
without having to sit and decide to think! It’s that imaginative spark that is
set free so it can run without effort. And it won’t happen if it’s forced at
the keyboard.
So it’s worthwhile to let your imagination have free rein at any time it starts to generate ideas. For example, during a meal, in the car, on the train. It’s a good method of whiling away a journey.
So it’s worthwhile to let your imagination have free rein at any time it starts to generate ideas. For example, during a meal, in the car, on the train. It’s a good method of whiling away a journey.
In the bath,
when I am relaxed, is one of my favourite times for developing stories. I can
sometimes be heard talking out loud, as the characters, working out some tricky
plot point.
Other people
may also spark ideas, but I’d suggest sticking with a fellow writer if you want
to bounce ideas off someone. They understand. Non-writers are liable to suggest
outrageous plot points that don’t fit your story, or try to persuade you to
incorporate elements from their lives that they feel would make a fantastic
bestseller! The key thing here is that any offers of plot points need to spark
the ideas in your own head, otherwise the story won’t buzz for you.
Here’s the
thing, though. Memory is a wayward customer, so I would encourage you to jot
down the general points, or make a digital note somewhere as soon as you can
once the thinking time starts paying off. I've lost more plot points by not
writing it down than I care to remember – because I can’t remember them.
I have filled several small notebooks with ideas, and occasionally I browse through them. Anything used is crossed out, so I can’t use it again. But I’ll jot names, plot points, characters, germs of an idea – anything, just so I’ve got it there when I need it. Because when I haven’t done this, I’ve always come to regret it.
I have filled several small notebooks with ideas, and occasionally I browse through them. Anything used is crossed out, so I can’t use it again. But I’ll jot names, plot points, characters, germs of an idea – anything, just so I’ve got it there when I need it. Because when I haven’t done this, I’ve always come to regret it.
Usually when
the plot starts rolling like this, it hasn't got much to do with the bit of the
story that’s currently being written. That doesn't matter. The important
thing is to get it written down somewhere and let it sit there, because it will
be growing in your writer’s head without you realising it.
When you get
back to writing the story, you will find the plot points you’ve thought about
start to get built into the story without any real effort on your part. You
might not even have to look at the notes.
And if they don’t get used, they may well be picked up for another story later on. Ideas are never wasted.
And if they don’t get used, they may well be picked up for another story later on. Ideas are never wasted.
An Undesirable Liaison
In the tradition
of Regency Romance, scandals past and present unravel in the path of destiny.
Caught by an
overwhelming attraction to her new employer, Florence struggles against
temptation. Can Jerome withstand Florence’s allure, when his desire can only mean her
ruin?
Buy links:
Amazon
Amazon UK
Trailer:
Excellent advice, Elizabeth. I do have a brain-storming friend who isn't a writer but who is brilliant at making suggestions when I'm stuck. She knows (and isn't offended) that I'll take what I need from some suggestions but won't use others.
ReplyDeleteYou are so lucky, Paula! Perhaps your friend is an imaginative person anyway and might turn into a writer herself some day. Often husbands can be helpful too, I've heard, especially if they are willing to read a draft.
DeleteAll good advice. And I do so relate. I get ideas at the craziest moments. I pack a pen and notebook with me everywhere I go - well, except the shower or while gardening. :-)
ReplyDeleteOh, I know what you mean! Those bathroom ideas can wash away all too easily if you don't get them down quick.
DeleteGreat post. Now...I need to go think for a bit...
ReplyDeleteYes! This is exactly true! When I'm writing and the words aren't coming, I know I have to take a break and re-think things through. Thanks for the post! Wishing you much success!
ReplyDeleteNAS - I took a look at your Thriller Review blogs. Great idea!