Author Anya Richards shares about Writing Craft. She comes with Giveaways!
Letting the Plot Thicken
I can’t speak for other authors, but I
often get ideas for stories in just a few words. Sometimes a title, other times
a single character, or a “what if?” thought. The problem comes when it’s time
to expand that singular spark of inspiration into a full-blown novella or
novel. What do those particular words-that-could-be-a-title evoke? Who is that
character, and what does he or she do, or get themselves involved in, to make
them interesting? Can that “what if?” carry an entire story, or does it lead to
other questions that could? For my new novella, Bellissima, it started with wondering what the reactions would be,
in a nouveau riche Victorian household, to a foreigner being around. Like,
perhaps, an Italian dance master…?
Having a thought like that is often when I
step back and devote some time to thinking about where it all can lead, and if
it’s a project I want to pursue. When I first started writing no plot got put
aside. I’d spend time, often quite a bit of it, banging out words only to have
the story fizzle. I’m an organic writer by nature—a pantser if you prefer—and
in those early days I wondered if I was destined to waste precious writing
hours on just figuring out if I had a viable story or not.
I was a bit perplexed by this stage of my
learning curve, because the first two novels I’d written had seemed to flow out
of me in huge spurts. Then I remembered how those spurts came about. While
waiting for the bus, during my commute and lunch hour, I was thinking about the
next scene of those books. Occasionally I’d have an idea and give myself leave
to research it to my heart’s content, no matter how long it took, so I could
weave what I found into the story. There were no deadlines for those books,
just a hopeful dream of finishing them and maybe getting them published and, in
a perverse way, that helped me get them done quicker and more efficiently.
Mind you, those two books are still
languishing on my hard drive, unpublished but not unloved. They are a reminder
of a simpler time I’d love to go back to but know is gone. Now there are
deadlines (even if some are self-imposed), decisions on whether a book fits in
with where I want my career to go and, yes, some serious thought about whether
the book should be written now, later, or not at all. It’s the shortened,
condensed equivalent of the thinking/researching/plotting time I spent on those
first books. During the days, weeks—yes, I’ll admit it—even months I spend
thinking about that kernel of an idea, it either geminates into a fully
flowering story or withers on the vine. The story arc—the plot, if you
will—either thickens into an interesting stew, or washes down the drain.
The nice thing is I’m working on other
projects while cogitating on the new one. Sometimes, if I have a particularly
brilliant thought (snicker) I’ll jot it down and store it in a file folder on
my computer, along with website addresses for research sites, and other bits
and pieces of information that may or may not be useful. It’s not plotting, per
se, since I don’t do any outlines or synopses. The most I’ll do is a blurb, and
I know it often won’t stand the test of time since, once I start actually
writing, it may change.
But it’s a nice middle ground between full
out plotting, which I know doesn’t work for me, and wasting time starting books
that won’t get finished. Even if the plot doesn’t pan out into a book, the
research is never wasted, but can be recycled on another project. In fact, some
of the Victoriana used in Bellissima
was gleaned while I was considering another story…
Insatiably curious and irreverent, Anya loves history, music, the sea and a good rum punch. To learn more drop by Anya’s website make friends with her on Facebook or follow her on Twitter.
Bellissima
His seductive rhythm calls to the passionate soul hiding within…
His seductive rhythm calls to the passionate soul hiding within…
Jane Rollins is anything but plain, but to keep her position as
housekeeper to a wealthy family, she is content to hide her beauty
behind a dull façade. This deception has become second-nature to
her—until dance master Sergio Fontini waltzes into her life.
While the other inhabitants of the house see him as a foreigner and beneath their notice, Jane sees strength, barely leashed power, and an aura of iron control—an irresistible, arousing combination.
Sergio sees through Jane’s disguise to the woman beneath, and the desires in her veiled gaze call to him like the utterly irresistible strains of a beautiful symphony. The circumstances couldn’t be worse, for seducing her will endanger both their livelihoods.
Yet there are lessons he cannot resist teaching her, steps of a dance that crescendos to her final surrender…
Product Warnings
A deliciously seductive Italian unmasks a supposedly respectable Victorian woman and leads her into a lust-filled pas de deux.
A deliciously seductive Italian unmasks a supposedly respectable Victorian woman and leads her into a lust-filled pas de deux.
Read Reviews
Buy Links
Bellissima on Amazon Kindle
Bellissima Amazon UK
It's nice to meet Anya! I appreciate her insight. I too, can get an idea from a sliver of something. You just never know where and when ideas will pop up! :)
ReplyDeleteThank you for stopping by Karen. And yes, stay open to those ideas, because even the silliest thought can lead to a seriously good book!
DeleteIdeas really can come from anywhere, I've found! Best of luck to Anya. And I love "organic" writer--much better than panster!
ReplyDeleteLOL! Thank you Meradeth. That word "pantser" always gives me the weirdest images...
DeleteI get story ideas in a million different ways, and I love reading how other writers get their ideas. Thanks for sharing! And best of luck to you, Anya!
ReplyDeleteThank you Chrys!
DeleteIt's funny how ideas start, but then have to be coaxed along.
ReplyDeleteSo true Lynda. I've had far too many ideas that seemed great when they first came to mind but then fizzled because they didn't have enough meat to carry through into a full book. Some just aren't 'coax-able'!
DeleteYay for thick plots! And yay for sensible and doable Giveaway tasks. Greatly appreciated.
ReplyDeleteThank you! :)
DeleteI love those ideas that simmer and percolate for ages before they burst into reality!
ReplyDeleteMe too Jemi! Such a great feeling...
DeleteCongrats, Anya! I let ideas simmer while I work on other projects. The good thing is there is always another idea. :)
ReplyDeleteSo very true, Cherie! I do the same thing and sometimes surprise myself when I realize I actually haven't started writing a story I've been thinking about a lot LOL!
DeleteIdeas pop up from all kinds of places. I'll often jot ideas down while I work on other projects.
ReplyDeleteI'm unfortunately the kind of person who makes a shopping list and then forgets it when I actually go to the store... thank goodness for the computer, or I'd be hunting for slips of paper with the ideas on them!
DeleteI recycle manuscript ideas. Those drawer manuscripts still have life in them. It was great reading about Anya.
ReplyDeleteThank you for stopping by and YES! Styles may change and time may pass but a good idea will always have "legs"!
DeleteI couldn't write without an outline. That's the stage where I decide if an idea is worth pursuing.
ReplyDeleteI often wish outlining worked for me. It just seems like such an efficient way to do things! But unfortunately it really doesn't work for me. The few times I've tried I've either gotten bored before I start writing or deviated so far from the outline it really was a waste of time!
DeleteIt is always fascinating to find out about the writing process of other authors. I must write an outline first- but we are all different. Best of luck to Anya. Thanks for the giveaway!
ReplyDelete~Jess
As a speculative fictioneer, I live off the "What if?" question. I've outlined and I've pantsed it; both approaches have their benefits and drawbacks. I think I've settled someplace in between where I have major plot points, but I pants my way from one to the next.
ReplyDeleteI often believe I have full-blown stories in my head, but when I start to actually write, the idea seems to be too easy, illogical, and definintely not complete.
ReplyDelete